H. A. Byrd

About

Mythical creatures attended Harriet Arden Byrd in her youth, fostering an active imagination which refuses to be suppressed by adulthood. Free from concerns about fashion, Harriet shows respect for cultural and literary tradition and for the lessons about tolerance which history provides us all.

As an author of magical journeys that adults can enjoy, in often humorous and sometimes visionary escape from reality, Harriet feeds the spirit and offers relatable magic.

For the first thirty-odd years of her life, Harriet experienced existential depression in the form of a deep frustration about the great mysteries: the purpose of existence, the nature of reality. Then she had children, a move which both amplified her sense of humor and taught her patience. She learned again to explore the world with wonder in her eyes. For better or worse, as time went by she claimed her place as a formidable female with strong opinions.

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Aru’s Realm

As she steps through the doorway into womanhood, Aru must leave behind everyone she’s ever known.

Now she must find her way in a world where others have control of her life. With the help—and hindrance—of the friends she makes, Aru unravels the secrets of a mysterious sorcerer’s interest in her and her strange abilities.

Will her courage and creative thinking be enough when this journey places the fate of multiple worlds in her hands? No. No it won’t. Although, maybe with the aid of a little magic…

But there is so much more to the tale than the plot alone! It’s a playful journey with details to observe and connections to make. A visually artful story, it is all about color, nuanced textures, and perspective.

Come, enter Aru’s Realm. We all need magic in our lives.


Watch for a sequel to this visionary fantasy novel!

An unusual form of epic or high fantasy, Aru’s Realm may also be considered shifter fantasy, absurdist fantasy, and coming of age fantasy. Built on strong female characters and written with gender sensitivity, this old-fashioned, classic style fantasy novel is set in a parallel-world Victorian era and in a peaceful universe.

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In future times

In future times
they will refer to us as primitives
and our sorrows, the mourning of our dead
will seem sad to them
in the way that injustice in our ancient world,
the cruel modes of entertainment,
the needless bloody wars
(for aren’t all wars needless?)
seem sad, but distant, to us.
We are better than that now.
Our depravity of thinking that one color, one type
resides above or below another on the scales of entitlement
or enlightenment
will seem odd.
And they will wonder how anyone could
embrace that narrative.
Will gullible rabble
ever be a thing of the past?
I hope so.
In future times may they look back on
our society of manipulators and followers
with a romantic tone, the stuff of stories,
fairytales.
Today, because of fools,
I watched a second son graduate through online ceremony from his college.
A beautiful ritual,
this triumphant multimedia project
gave the grads the best experience possible.
Honored and wise people of differing
backgrounds, genders, races, ages, and abilities
suggested that we recognize the power of
our losses
through the understanding of grief as the advancement of love for life and for their school.
They told the students to carry forward what has been learned during this time of hardship
and use their special knowledge,
gained in these traumatic years,
to help find real justice for all and healing for our world.
It was a memorable ceremony
and as a mother I am filled with joy and pride
but also sorrow for what my son and his fellows have been through
and because
I can’t hug him.

“The opposite of poverty is justice.”

—University of Michigan commencement speaker Bryan Stevenson, human rights leader.

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